The Shining 1997 Stephen King's The Shining im Stream
The Shining ist ein dreiteiliger für das US-amerikanische Fernsehen produzierter Horrorfilm und Thriller aus dem Jahr nach Stephen Kings gleichnamigem Roman. Die Hauptrolle spielte Steven Weber als Jack Torrance, Mick Garris führte Regie. The Shining (alternativ: Stephen King's The Shining) ist ein dreiteiliger für das US-amerikanische Fernsehen produzierter Horrorfilm und Thriller aus dem Jahr. When watching this mini-series, it's best to distance this from the iconic Kubrick adaption of The Shining, as they barely resemble each other. This show has both. The Shining ist ein dreiteiliger für das US-amerikanische Fernsehen produzierter Horrorfilm und Thriller aus dem Jahr nach Stephen Kings gleichnamigem. Komplette Handlung und Informationen zu The Shining. Jack Torrance, Schriftsteller und trockener Alkoholiker, bewirbt sich für einen Winterjob als Hausmeister. Stephen King's The Shining: Um ein Haar hätte Autor Jack Torrance durch seinen Jetzt ansehen. Stephen King's The Shining. USA Miniserie in 3 Teilen. So sehr offenbar, dass er „Shining“ im Jahre noch ein zweites Mal verfilmen ließ. Unter seiner Aufsicht, nach seinem Drehbuch, als.
ABC was quick to offer King the ability to write his script for the adaptation of his book thanks to the previous success of King's miniseries, The Stand , which was also directed by Garris.
Actors such as Pat Hingle , Elliott Gould , John Durbin , Stanley Anderson , Lisa Thornhill , and Garris' wife Cynthia appear in supporting roles; and several notable writers and filmmakers who work in the horror genre also cameo in the miniseries' ballroom scene, King himself appearing as an orchestra conductor.
It was a ratings hit, being in the top 20 of daily viewership numbers for all three episodes; acclaimed by critics for its careful pacing, makeup, depth, sound editing and creepy atmosphere; and won two Primetime Emmy and two Saturn Awards.
However, retrospective critics have viewed the miniseries less fondly, comparing it unfavorably to Kubrick's film version.
Jack Torrance 's alcoholism and explosive temper have cost him his teaching job at Stovington, a respectable prep school.
He is also on the verge of losing his family, after assaulting his young son Danny in a drunken rage just a year earlier. Horrified by what he has become, Jack tells his wife Wendy that should he ever start drinking again, he will leave them one way or another, implying that he would rather commit suicide than continue living as an alcoholic.
Now, nursing a life of sobriety and pulling in work as a writer, Jack takes on the job of looking after the Overlook Hotel, a large colonial building in a picturesque valley in the Colorado Rockies.
Jack believes that the job will provide desperately needed funds and give him the time to complete his first play.
Upon entering the Overlook and meeting its head cook, Dick Hallorann , Danny discovers that his psychic powers grant him a form of telepathy.
Danny has an adult mentor named Tony who talks to him in his visions and shows him the future.
Hallorann tells Danny that he too "shines", and that Danny can contact him telepathically anytime he needs assistance.
The Torrances are given a tour of the Overlook before being left alone in the hotel for the winter.
It gradually becomes evident that there is a malevolent force within the hotel that seems determined to use Danny for an unknown, possibly sinister purpose.
This force manifests itself with flickering lamps and spectral voices and eventually a full-on masked ball from the Overlook's past.
Danny is the first to fully notice the darker character of the hotel, having experienced visions and warnings that foreshadow what he and his parents will encounter over the winter.
The ghosts also appear to Jack, led by Delbert Grady, the Overlook's former steward who murdered his entire family and killed himself at the hotel's command.
Grady and the other spirits tell Jack that Wendy and Danny are turning against him, and that his only option is to kill them.
They also supply him with an open bar, and he begins drinking again. As Jack's sanity deteriorates, Wendy begins to fear for her and Danny's safety.
Hallorann, whom Danny had contacted telepathically, travels from Florida to Colorado, only to be assaulted by Jack with a croquet mallet and left for dead.
Danny telepathically communicates with his father, who momentarily breaks free of the ghosts' grip, and then tells him that the old boiler has been neglected.
Danny, Wendy, and Hallorann who had only been stunned by the attack escape to safety. Jack sacrifices himself to prevent the ghosts from repossessing him and allows the boiler to explode and destroy the Overlook.
Ten years later, Danny graduates from high school, showing that Tony was Danny's adult incarnate self. Wendy and Halloran are present at the ceremony.
Jack's spirit is also present, looking on Danny with pride. Back in Colorado, the Overlook is being rebuilt as a resort for the summer, as the ghosts of the original hotel await potential victims.
Several of Garris' colleagues who work in the horror genre cameo in the miniseries' ballroom scene, such as David J. Schow , Christa Faust , P. Sam Raimi also briefly appears as a gas station attendant.
The most obvious differences are those regarding the personality of Jack Torrance the source of much of author Stephen King's dissatisfaction with the film.
The room number has been changed to Timberline Lodge , located on Mt. Hood in Oregon , was used for the exterior shots of the fictional Overlook Hotel.
The Lodge requested that Kubrick not depict Room featured in the book in The Shining , because future guests at the Lodge might be afraid to stay there, and a nonexistent room, , was substituted in the film.
Contrary to the hotel's expectations, Room is requested more often than any other room at Timberline. There are fringe analyses relating this number change to rumors that Kubrick faked the first moon landing , as there are approximately , miles between the Earth and the Moon average is , miles [] , and claiming that the film is a subtle confession of his involvement.
The novel initially presents Jack as likeable and well-intentioned, yet haunted by the demons of alcohol and authority issues.
Nonetheless, he becomes gradually overwhelmed by what he sees as the evil forces in the hotel. At the novel's conclusion, it is suggested that the evil hotel forces have possessed Jack's body and proceeded to destroy all that is left of his mind during a final showdown with Danny.
He leaves a monstrous entity that Danny is able to divert while he, Wendy and Dick Hallorann escape. Jack kills Dick Hallorann in the film, but only wounds him in the novel.
King attempted to talk Stanley Kubrick out of casting Jack Nicholson even before filming began, on the grounds that he seemed vaguely sinister from the very beginning of the film, and had suggested Jon Voight among others for the role.
Only in the novel does Jack hear the haunting, heavy-handed voice of his father, with whom he had a troubled relationship.
However, the novel gives much more detail about Jack's problems with drinking and alcohol. The film prolongs Jack's struggle with writer's block.
Kubrick's co-screenwriter Diane Johnson believes that in King's novel, Jack's discovery of the scrapbook of clippings in the boiler room of the hotel, which gives him new ideas for a novel, catalyzes his possession by the ghosts of the hotel, while at the same time unblocking his writing.
Jack is no longer a blocked writer, but now filled with energy. In her contribution to the screenplay, Johnson wrote an adaptation of this scene, which to her regret Kubrick later excised, as she felt this left the father's change less motivated.
Stephen King stated on the DVD commentary of the miniseries of The Shining that the character of Jack Torrance was partially autobiographical, as he was struggling with both alcoholism and unprovoked rage toward his family at the time of writing.
Kubrick's version of Torrance is much closer to the tyrannical Hal from Kubrick's A Space Odyssey and Alex from Kubrick's A Clockwork Orange than he is to King's more conflicted, more sympathetically human characterization.
From Thomas Allen Nelson's Kubrick: Inside a Film Artist's Maze : "When Jack moves through the reception area on his way to a 'shining' over the model maze, he throws a yellow tennis ball past a stuffed bear and Danny's Big Wheel, which rests on the very spot a Navajo circle design where Hallorann will be murdered.
Below, on a winding mountain road, Jack's diminutive yellow Volkswagen journeys through a tree-lined maze, resembling one of Danny's toy cars or the yellow tennis ball seen later outside of Room Danny Torrance is considerably more open about his supernatural abilities in the novel, discussing them with strangers such as his doctor.
The same is true of Dick Hallorann, who in his journey back to the Overlook in the book, talks with others with the "shining" ability, while in the film he lies about his reason for returning to the Overlook.
Danny in the novel is generally portrayed as unusually intelligent across the board. Although Danny has supernatural powers in both versions, the novel makes it clear that his apparent imaginary friend "Tony" really is a projection of hidden parts of his own psyche, though heavily amplified by Danny's psychic "shining" abilities.
At the end it is revealed that Danny Torrance's middle name is "Anthony". Wendy Torrance in the film is relatively meek, submissive, passive, gentle, and mousy; this is shown by the way she defends Jack even in his absence to the doctor examining Danny.
It is implied that she has perhaps been abused by Jack as well. In the novel, she is a far more self-reliant and independent personality, who is tied to Jack in part by her poor relationship with her parents.
De Mornay restores much of the steely resilience found in the protagonist of King's novel and this is particularly noteworthy when compared to Shelley Duvall's exaggerated portrayal of Wendy as Olive Oyl revisited: A simpering fatality of forces beyond her capacity to understand, much less surmount.
Co-screenwriter Diane Johnson stated that in her contributions to the script, Wendy had more dialogue, and that Kubrick cut many of her lines, possibly due to his dissatisfaction with actress Shelley Duvall's delivery.
Johnson believes that the earlier draft of the script portrayed Wendy as a more-rounded character. In the novel, Jack's interviewer, Ullman, is highly authoritarian, a kind of snobbish martinet.
The film's Ullman is far more humane and concerned about Jack's well-being, as well as smooth and self-assured. Only in the novel does Ullman state that he disapproves of hiring Jack but higher authorities have asked that Jack be hired.
In Stanley Kubrick and the Art of Adaptation , author Greg Jenkins writes "A toadish figure in the book, Ullman has been utterly reinvented for the film; he now radiates charm, grace and gentility.
Stephen King provides the reader with a great deal of information about the stress in the Torrance family early in the story, [] including revelations of Jack's physical abuse of Danny and Wendy's fear of Danny's mysterious spells.
Kubrick tones down the early family tension and reveals family disharmony much more gradually than does King.
In the film, Danny has a stronger emotional bond with Wendy than with Jack, which fuels Jack's rather paranoid notion that the two are conspiring against him.
In the novel Jack recovers his sanity and goodwill through the intervention of Danny while this does not occur in the film.
Writing in Cinefantastique magazine, Frederick Clarke suggests, "Instead of playing a normal man who becomes insane, Nicholson portrays a crazy man attempting to remain sane.
More broadly, the defective boiler is a major element of the novel's plot, entirely missing from the film version.
Because of the limitations of special effects at the time, the living topiary animals of the novel were omitted and a hedge maze was added, [] [] acting as a final trap for Jack Torrance as well as a refuge for Danny.
In the film, the hotel possibly derives its malevolent energy from being built on a Native American burial ground. In the novel, the reason for the hotel's manifestation of evil is possibly explained by a theme present in King's previous novel Salem's Lot as well as Shirley Jackson 's The Haunting of Hill House : a physical place may absorb the evils that transpire there and manifest them as a vaguely sentient malevolence.
In the novel, Jack does a great deal of investigation of the hotel's past through a scrapbook, [] a subplot almost omitted from the film aside from two touches: a brief appearance of the scrapbook beside the typewriter, and Jack's statement to the ghost of Grady that he knows his face from an old newspaper article describing the latter's horrific acts.
Kubrick in fact shot a scene where Jack discovers the scrapbook but removed it during post-production, a decision which co-screenwriter Diane Johnson lamented.
Some of the film's most iconic scenes, such as the ghost girls in the hallway and the torrent of blood from the elevators, are unique to the film.
The most notable of these would be the typewritten pages Wendy discovers on Jack's desk. Although Stephen King fans were critical of the novel's adaptation on the grounds that Kubrick altered and reduced the novel's themes, a defense of Kubrick's approach was made in Steve Biodrowski's review of the film.
His review of the film is one of the few to go into detailed comparison with the novel. He writes, "The result Both parodies and homages to The Shining are prominent in U.
Director Tim Burton , who credits Kubrick as an influence, modeled the characters of Tweedledum and Tweedledee in his version of Alice in Wonderland on the Grady girls like so many viewers of the film, Burton identifies the girls as twins in spite of Ullman's dialogue to the contrary.
Similarities include Sherri and Terri , the twins in Bart's 4th grade class looking visually similar to the Grady girls, Homer writing "No TV and No Beer Make Homer Go Crazy" and Homer breaking into a room with an axe and uttering 'here's Johnny', only to discover that he had entered the wrong room and using the introduction for 60 Minutes instead.
American heavy metal band Slipknot pay homage to the film in their first music video for their song " Spit It Out ", directed by Thomas Mignone.
The video was banned from MTV for overtly graphic and violent depictions, including Corey Taylor's smashing through a door with an axe and the scene wherein James Root viciously assaults Corey Taylor with a baseball bat.
Mignone and the band eventually re-edited a less violent version, which was subsequently aired on MTV. It was banned from being screened on a children's TV network.
The song also features Stanley Kubrick's grandson Sam Kubrick as guest vocalist. The TV series Psych has an episode titled " Heeeeere's Lassie " in which the plot and characters are based on film.
Vince Gilligan , being a fan of Kubrick and his "non-submersible moments", has included references to Kubrick movies in many of his works.
The descent of the main character, school teacher Walt, into the dark killer has some similarities to Jack's arc.
Reflections are used in both to show the characters change. Gilligan has also likened his early writing situation, getting snowed in and not writing, to feeling like Jack while going insane.
Steven Spielberg , a close friend of Kubrick, included a sequence dedicated to the film in Ready Player One when they could not get rights to use Blade Runner for a similar sequence.
The Overlook Hotel is recreated, including the Grady sisters, the elevator, room , the lady in the bath tub, the ballroom, and the photo, in addition to using the score.
Spielberg considered this inclusion a tribute to Kubrick. In his novel The Institute , Stephen King references the film, writing, "The little girls, Gerda and Greta, were standing and watching with wide, frightened eyes.
They were holding hands and clutching dolls as identical as they were. They reminded Luke of twins in some old horror movie.
In , Warner Bros. In June , Doctor Sleep writer and director Mike Flanagan , confirmed that the film would be a sequel to the film.
From Wikipedia, the free encyclopedia. UK theatrical release poster. Stanley Kubrick Diane Johnson. Wendy Carlos Rachel Elkind.
Release date. Running time. United States [5] United Kingdom [5]. Original red and final yellow versions of Saul Bass 's theatrical poster for the film.
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The things King thinks you need to know can be played for subtext and the actors can carry the truth of the characters themselves. Kubrick made a movie about an isolated place that pushes a man to madness and murder.
That was the spirit of the book and that was the spirit of Kubricks movie. It was terrifying and grand. A work worthy of a master of film.
Kings adaptation was simple, trite and never scary. He should be ashamed to be called "the undisputed master of horror" and have this peice of dung on his resumee.
But then King wanted a lapdog to direct an animated audio book and not a motion picture masterpeice. Luckily this film will be collecting dust in trashbins across America and Kubricks movie will be the one long remembered.
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THE SHINING Miniseries - Best Lines (1997) Stephen King These spatial discrepancies included windows appearing in impossible places, such as in Stuart Ullman's office, which is surrounded by interior hallways and apartment doorways positioned in places where they cannot possibly lead to apartments. At Liebe Leidenschaft end of Kim Matula film, Aftermath Deutsch Film camera moves slowly towards a wall in the Overlook and a photograph, revealed to include Jack seen at the middle of a party. Archived from the original on March 31, The biggest surprise is that it contains virtually no thrills. The Word Slinger.The Shining 1997 - Heckentiere from hell
Er wird von Visionen geplagt, die ihm sein imaginärer Freund Tony schickt. Merke dir den Film jetzt vor und wir benachrichtigen dich, sobald er verfügbar ist. Adaptations of works by Stephen King. Warner Bros. Kubrick's version of Torrance is much closer to the tyrannical Hal from Kubrick's A Space Odyssey and Alex Klinik Am Südring Echt Oder Fake Kubrick's A Clockwork Orange than he is to King's more conflicted, more sympathetically human characterization. Rotten Tomatoes. Best Supporting Actor. FilmMaker IQ. Beste Gruselunterhaltung nach Stephen King, in dem sich ein Familienvater in eine Mordmaschine verwandelt. Horror | In English | minutes | Danny, Wendy, and Hallorann (who had only been stunned by the attack) escape to safety. Die Hauptrolle spielte. Schnittberichte, News (z.B. Uncut-DVDs & Blu-rays) und Reviews zu The Shining (USA, | Horror) ▻ Alles zum Thema Zensur.
Das Sexorgien Im Satansschloss ist ein ansprechendes Gebäude, das mit viel Holz und 90er Jahre — Optik aufwartet, das andere wirkt aber gewaltiger, weitläufiger und pompös, dabei aber gänzlich ungemütlich. Die träge Inszenierung tut ihr Übriges. Das geheime Thale Hotel. Das ist allerdings kaum kriegsentscheidend. Deutscher Titel.
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