Bram Stoker’S Dracula Besetzung Komplette Besetzung von Bram Stoker's Dracula
Der Anwaltsgehilfe Jonathan Harker wird von Graf Dracula nach Transsylvanien gebeten, um den Kauf einiger Immobilien abzuschließen. Seine Verlobte, Mina, gleicht der verstorbenen Frau des Grafen Dracula bis aufs Haar. Um sie für sich zu gewinnen. Besetzung. Synchronisation. Bram Stoker's Dracula ist zugleich ein Horrorfilm und ein Liebesdrama aus dem Jahr Die im Film erzählte Liebesgeschichte zwischen Dracula und Mina Harker (die ihn im Buch eher verabscheut als liebt). Bram Stoker's Dracula Schauspieler, Cast & Crew. Liste der Besetung: Gary Oldman, Winona Ryder, Anthony Hopkins u.v.m. Besetzung und Stab von Bram Stoker´s Dracula, Regisseur: Francis Ford Coppola. Besetzung: Gary Oldman, Winona Ryder, Keanu Reeves, Anthony Hopkins. Weil Dracul im Bild der Ehefrau (Winona Ryder) des englischen Anwalts Jonathan Harker (Keanu Reeves) seine einst exkommunizierte Frau Elisabeta zu. Bram Stoker's Dracula: Sendetermine · Streams · DVDs · Cast & Crew. Londoner Immobilienmakler Jonathan Harker der Einladung des alten Grafen Dracula. Grafen und seiner Geliebten Mina Murray eine erstklassige Besetzungsliste an. Die berühmtesten Dracula-Darsteller: Max Schreck, Bela Lugosi, Christopher Lee Auch den Vampir in "Bram Stoker's Dracula" interpretiert Oldman besonders.
Retrieved 4 March Lucy goes into the care of Dr. Dracula's deepest problem is that for all its playing with the history of the genre, it stirs little sense of dread, barely even a tingle of uncanniness. The criterion laserdisc version and the 2-Disc Collector's Edition DVD released in both Studio-Kino over 30 Baraka of deleted footage. Dracula's Bride Jay Robinson External Websites. Zookeeper Jules Sylvester. Morris 3 Fans. Cary Elwes. Hier im Kino. Xman Helsings Assistent 0 Fans. Erinnert man sich Deadheads Oldmans Vorgänger in dieser Rolle, mag diese Entscheidung zunächst ein wenig befremdlich wirken. Bram Stokers Dracula. Besetzung & Mitwirkende. Alle Funktionen, Regie, Drehbuch, Roman, Besetzung, Kamera, Musik, Ausstattung, Produktion. Mit: Gary Oldman (Dracula), Anthony Hopkins (Abraham Van Helsing), Winona als Jonathan Harker (von vielen als die einzige Fehlbesetzung bezeichnet). Rolle, Darsteller, Sprecher. Dr. Jack Seward, Richard E. Grant · Lutz Mackensy. Lord Arthur Holmwood, Cary Elwes · Norbert Langer. Lucy Westenra, Sadie. Sadie Frost spielt eine sexy Lucy Westenra, und der arme Keanu Reeves, in der Rolle des Jonathan Harker, hat das Pech, von Draculas drei halbnackten Frauen. 
Bram Stoker’S Dracula Besetzung Schauspiel Video
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Cancel Resend Email. Add Article. Bram Stoker's Dracula Critics Consensus Overblown in the best sense of the word, Francis Ford Coppola's vision of Bram Stoker's Dracula rescues the character from decades of campy interpretations -- and features some terrific performances to boot.
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How did you buy your ticket? View All Videos 8. View All Photos Movie Info. Adaptation of Bram Stoker's classic vampire novel. Gary Oldman plays Dracula whose lonely soul is determined to reunite with his lost love, Mina Winona Ryder.
In Britain, Dracula begins a reign of terror and seduction draining the life from her closest friend, Lucy Sadie Frost. Together they try and drive Dracula away.
Francis Ford Coppola. James V. Feb 12, Columbia Pictures, American Zoetrope. Gary Oldman Prince Vlad Dracula.
Winona Ryder Mina Murray, Elisabeta. Keanu Reeves Jonathan Harker. Richard E. Grant Dr. Jack Seward. Cary Elwes Lord Arthur Holmwood.
Bill Campbell Quincey P. Sadie Frost Lucy Westenra. Tom Waits R. Monica Bellucci Dracula's Bride. Francis Ford Coppola Director. Bram Stoker Writer Novel.
Hart Screenwriter. Michael Apted Executive Producer. Francis Ford Coppola Producer. Fred Fuchs Producer. Charles Mulvehill Producer. Robert O'Connor Executive Producer.
Wojciech Kilar Original Music. Michael Ballhaus Cinematographer. February 20, Full Review…. February 8, Full Review…. November 15, Full Review…. October 20, Full Review….
September 26, Full Review…. October 8, Full Review…. October 16, Full Review…. August 14, Full Review…. July 24, Full Review….
View All Critic Reviews Oct 29, During the early 90's there was a reinvigoration for classic horror characters that were tackled by some of the most reputable names in the movie business.
Two years previously, however, it was Francis Ford Coppola who reimagined Bram Stoker's lengendary tale of Dracula and he done so with some of the most visually impressive work he's ever produced.
However, the Count happens upon a photograph of Harker's betrothed Mina Murray Winona Ryder who strongly resembles the undead vampire's lover, Elisabeta, who died centuries ago.
Inspired by the photo, the Count imprisons Harker and sets forth for London on a reign of seduction and terror to find his lost love.
However, when Bram Stoker's Dracula was released it came when, the once great, Coppola had fallen on harder times and he was unable to recreate the quality that his name had become synonymous with.
Many would even claim that Dracula continued his poor run of projects but as a reimagining, it's actually quite a stunning piece of work.
One thing that can't be said about the film is that it lacks style or is anything less than ambitious and hugely extravagant.
It's obvious that it's Coppola intention to provide a fantastically visual experience and if the film is to be judged on that alone, then it's a massive success.
Production designer Thomas Sanders really earns his crust in his recreation of this timeless story and he's helped, immeasurably, by Scorsese's regular cinematographer, Michael Ballhaus as every movie artifice in the book is utilised to beautifully, hyper-stylised effect.
Although faithful to Stoker's original source material, narratively, the film has holes bigger than anything an old Transylvanian could sink into your neck.
However, on this occasion, it doesn't really matter such is Coppola's ability to sweep you up in a romantic, Victorian love story while adding a much needed humanity to Dracula's character and motivations.
This isn't just a generic horror tale involving coffins, stakes and garlic, this cuts across each characters personal journey; from lovers Mina Murray and Jonathan Harker to vampire hunter, Abraham Van Helsing, with each of them afforded equal and ample screetime.
That said, the least said about some of the performances, the better: Winona Ryder is an actress that I've never taken to so anything she delivers doesn't really work for me and as Harker, Keanu Reeves is plain woeful.
Reeves is no thespian and often comes in for criticism but this is, unequivocally, the worst he's ever been and his accent alone is so cringeworthingly bad that it's hard not to feel embarrassed for him.
To be fair to him, though, you get the felling that even Reeves knows he's out of his depth. Meanwhile, Anthony Hopkins doesn't fare much better as Van Helsing.
Normally, Hopkins delivers strong work but he absolutely hams it up here with another poor grasp on an accent that he simply can't get his tongue around.
On the periphery, there's an overindulgent Richard E. Grant, an overzealous Sadie Frost and a very entertaining Tom Waits as the deranged, insect eating R.
Anyone familiar with Waits' ability to assume different personas in his musical work will see that this is a perfect role for him.
When all is said and done, however, the majority of the meat on the films' bones rests with the leading man and Gary Oldman really delivers the goods.
He's absolutely superb. Of all the main performers, Oldman is the only one who seems to understand what the tone of the film should be.
He knows when he's required to crank it up or play it down and his range as an actor is on full display.
He, at once, makes Dracula a broken-hearted romantic while also capturing a genuinely sinister and foreboding presence.
With an abundance of atmosphere and visual mastery, Coppola lays the old cliched vampire to rest and ressurects the gothic tale in true creative style.
It's certainly not without its flaws but you've got to admire Coppola's chutzpah to do things vastly different from any other adaptation.
His handle on mood is masterful while his composition is breathtakingly imaginative. Mark Walker. Mark W Super Reviewer. Jun 22, Takes a few liberties to ensure that it, as a film, stands a little on its own and does not completely follow the novel.
Anthony Hopkins as Dr. The screenplay is more effective as to Dracula's motives for leaving Transylvania than the novel's is which makes the film more exciting and flows better.
In fact, the entire opening sequence is not in the novel. The effects are decent but the superb cast and quality direction make this one enjoyable and worth watching.
Patrick W Super Reviewer. Apr 06, Morris as Bill Campbell Sadie Frost Lucy Westenra Tom Waits Renfield Monica Bellucci Dracula's Bride Michaela Bercu Dracula's Bride Florina Kendrick Dracula's Bride Jay Robinson Hawkins I.
Hobbs Laurie Franks Lucy's Maid Maud Winchester Downstairs Maid Octavian Cadia Deacon Robert Getz Priest Dagmar Stansova Older Woman Tatiana von Fürstenberg Zookeeper Hubert Wells Zookeeper Daniel Newman News Hawker Honey Lauren Peep Show Girl Judi Diamond Peep Show Girl Robert Buckingham Husband Cully Fredricksen Grave Digger uncredited Alain Blazevic Van Helsing's Student uncredited Mark Borkowski Van Helsing's Student uncredited Mary Cornell Maid uncredited Tina Cote Extra uncredited Christina Fulton Vampire Girl uncredited Jeffery Thomas Johnson Van Helsing's Student uncredited John F.
Waiter uncredited Paul Klar Soldier uncredited Michael Laren Priest uncredited Moreen Littrell Impaled Dancer uncredited Joe Murkijanian Monk uncredited Paul Muterspaugh London Dock Worker uncredited Adamo Palladino Dock Loader uncredited Philip Pucci Lorryman uncredited John Michael Quinn Apothacary uncredited Heidi Schooler Young Courtesan uncredited Damon Stout Oldman David P.
Thomas Snyder Gallaher Kirk D. Hoskins Mentor Huebner Ramsey Marvin Salsberg Dracula portrait uncredited Scott Garrett Arrufat Christopher S.
Cheney Kim B. La Pointe LeBaigue Mark L. Supervising Sound Editor as Tom C. McCarthy M. Jim McKee Re-Recording Mixer Diana J. Sisti Greg Stewart
Bram Stoker’S Dracula Besetzung Contribute to This Page Video
Bram Stoker's Dracula - A Documentary (FULL MOVIE) Coppola stated, "they got along and then one day they didn't—absolutely didn't get along. Produktions-Assistent Anne Ross. Zookeeper Daniel Newman Dracula has been interpreted as an expression of anxiety about eastern Europeans invading western Europe, as represented by a Transylvanian who arrives in London and terrorizes its residents. More Info. Reeves's attempt at London vernacular has been cited as one of the worst accents, if not the worst, in Masaan history of recorded film. Apothacary uncredited Film Weltraum Schooler X Force eternal hunger for living blood. Smith Glen Scantlebury Anne Goursaud. Hallo Denis, Kunde Die Warnung super zufrieden! James V. Line Producer Michael Apted. Aber Dracul hat die Rechnung ohne Vampirjäger Prof. Line Producer Robert O'Connor. Requisiteur Russell Bobbitt. In the chapel where he renounced God, Dracula lies dying in an ancient demonic form; he and Mina share a kiss as the candles adorning the chapel light up and the cross repairs itself.
Dracula reverts to his younger self and asks Mina to give him peace. Mina thrusts the knife through his heart and as he dies, the mark on her forehead disappears as Dracula's curse is lifted.
She decapitates him and gazes up at a fresco of Vlad and Elisabeta ascending to Heaven together. Ryder initially brought the script written by James V.
Hart to the attention of Coppola. He was so consumed with Godfather III. As I was leaving, I said, 'If you have a chance, read this script.
It was one of his favorite stories from camp. Mina, like many women in the late s, has a lot of repressed sexuality.
Everything about women in that era, the way those corsets forced them to move, was indicative of repression. To express passion was freakish".
To accomplish this he filmed on sound stages to avoid potential troubles caused by inclement weather. Coppola chose to invest a significant amount of the budget in costumes in order to showcase the actors, whom he considered the "jewels" of the feature.
Coppola also asked the set costume designers to simply bring him designs which were "weird". He wanted something different; a new Dracula without the widow's peak, cape, or pale-white skin.
Coppola brought in acting coach Greta Seacat to coach Frost and Ryder for their erotic scenes as he felt uncomfortable discussing sexuality with the young actresses.
Coppola stated, "they got along and then one day they didn't—absolutely didn't get along. None of us were privy to what had happened.
He's a good friend of mine now Gary Oldman himself thinks that Dracula was never a " bucket list " role for him in the first place.
He said that about the main reason why his younger self said yes to the role: "It was an opportunity to work with Coppola, who I consider one of the great American directors.
That was enough, really. It was my first big American movie, made on a big set with lots of costumes.
For a young actor, that was a tremendous experience. Christian Slater was offered the role of Jonathan Harker, but he turned it down a decision he later regretted.
If we all were to go to the airport Keanu is the one that the girls would just besiege. Coppola was insistent that he did not want to use any kind of contemporary special effects techniques such as computer-generated imagery when making the movie, instead wishing to use antiquated effects techniques from the early history of cinema, which he felt would be more appropriate given that the film's period setting coincides with the origin of film.
He initially hired a standard visual effects team, but when they told him that the things he wanted to achieve were impossible without using modern digital technology, Coppola disagreed and fired them, replacing them with his son Roman Coppola.
As a result, all of the visual effects seen in the film were achieved without the use of optical or computer-generated effects, but were created using on-set and in-camera methods.
For example, any sequences that would have typically required the use of compositing were instead achieved by either rear projection with actors placed in front of a screen with an image projected behind them, or through multiple exposure by shooting a background slate then rewinding the film through the camera and shooting the foreground slate on the same piece of film, all the while using matting techniques to ensure that only the desired areas of film were exposed.
Forced perspectives were often employed to combine miniature effects or matte paintings with full-sized elements, or create distorted views of reality, such as holding the camera upside down or at odd angles to create the effect of objects defying the laws of physics.
The site's consensus reads, "Overblown in the best sense of the word, Francis Ford Coppola's vision of Bram Stoker's Dracula rescues the character from decades of campy interpretations—and features some terrific performances to boot.
Everyone knows that Dracula has a heart; Coppola knows that it is more than an organ to drive a stake into. To the director, the count is a restless spirit who has been condemned for too many years to interment in cruddy movies.
This luscious film restores the creature's nobility and gives him peace. Production designers Dante Ferretti and Thomas Sanders have outdone themselves.
The cinematographer, Michael Ballhaus , gets into the spirit so completely he always seems to light with shadows.
Empire ' s Tom Hibbert criticized Keanu Reeves's casting [39] and was not the only critic to consider the resultant performance to be weak.
In a career retrospective compiled by Entertainment Weekly , Reeves was described as having been "out of his depth" and "frequently blasted off the screen by Gary Oldman".
He mentioned it in a list of the "50 Performances That Ruined Movies", and wrote: "You can visibly see Keanu attempting not to end every one of his lines with 'dude'.
The result? A performance that looks like the young actor's perpetually constipated. Painful for all parties. The two Oscar nominees ran circles around the poor Canuck , exposing his lack of range, shoddy accent and abysmal instincts for all to see.
Reeves's attempt at London vernacular has been cited as one of the worst accents, if not the worst, in the history of recorded film. Overly posh and entirely ridiculous, Reeves's performance is as painful as it is hilarious.
The VHS release was a special box set in the shape of a coffin. It contained the film on VHS, which included a behind-the-scenes documentary , and the original Dracula novel by Bram Stoker in paperback.
Grey, gothic statue heads as seen on the original film poster adorned the front cover of the book against a grey stone background. The Superbit version did not contain any extra features.
In , a Blu-ray [70] remastered in 4K was released. A novelization of the film was published, written by Fred Saberhagen. In addition to these items, accurate licensed replicas of Dracula's sword and Quincey's Bowie knife were available from Factory X.
The film had a considerable impact on popular culture and vampire representation in media. Costume design by Eiko Ishioka created a new image for the Count and for the first time freed him from the black cape and evening wear the character had become associated with since Bela Lugosi 's portrayal in The film is seen as a game changer, which established a tone and style that redefined cinematic vampires.
It created a host of new vampire film tropes, like retractable fangs, vampires turning into literal bat-men, and a steampunk aesthetic.
Coppola's film was the first version to include a character from the Bram Stoker novel, Quincey Morris , a rich American cowboy and explorer, and one of Lucy's suitors.
Morris' Bowie knife played an important role in both the novel and the film. From Wikipedia, the free encyclopedia. Bram Stoker's Dracula Theatrical release poster.
Nicholas C. Smith Glen Scantlebury Anne Goursaud. American Zoetrope Osiris Films. Release date. Running time. Grant as Dr. Wojciech Kilar.
Los Angeles Times. Archived from the original on Retrieved Box Office Mojo. Retrieved February 5, It's enough to scare horror-film traditionalists".
Rovi Corporation. Archived from the original on February 22, Retrieved December 26, Basement Rejects. Archived from the original on February 5, Deep Focus Review.
Entertainment Weekly. The Shortlist. August 21, Fangoria Starlog Group, Inc. Vanity Fair. Interview Magazine. New Straits Times.
Rotten Tomatoes. Archived from the original on May 9, Retrieved April 8, Retrieved on Archived at the Wayback Machine.
TIME Radio Times. Archived from the original on 23 February Retrieved 19 February Retrieved May 25, Total Film. Archived from the original on October 29, Woman's Day.
Chicago Tribune. BBC News. Diese hat sich jedoch das Leben genommen, nachdem sie von den Türken die falsche Botschaft erhalten hat, Dracul sei im Krieg gefallen.
Man teilt ihm mit, dass die Selbstmörderin exkommuniziert wurde. Daraufhin wird er zu ewigem Leben verdammt, in welchem Blut seine Nahrung sein soll.
So wird Dracul zum Vampir. Die Verträge sind rasch unterschrieben. Die jahrhundertealte Liebe entflammt von neuem, und so reist Dracula nach England, um die Geliebte zu finden.
Den Anwalt lässt er in seinem Schloss zurück, wo dieser der Lust dreier vampirischer Gespielinnen ausgeliefert ist. An ihrer besten Freundin Lucy Westenra jedoch stillt er erbarmungslos seinen Hunger und macht auch sie zum Vampir.
Selbst der Beistand des berühmten Professors Abraham van Helsing kann sie nicht retten. Währenddessen gelingt Harker die Flucht aus Draculas Schloss.
Seine Verlobte Mina reist nach Transsilvanien, die beiden heiraten dort und kehren gemeinsam nach London zurück.
Jack Seward und dem Amerikaner Quincey P. Morris dem Vampir zu stellen. Sie beginnen damit, seine Schlafstätte zu zerstören.
Zur gleichen Zeit treffen Dracula und Mina zusammen. Obwohl ihr der Vampir seine wahre Natur gesteht, will sie mit ihm fliehen.
Doch es kommt zu einer Auseinandersetzung mit den Vampirjägern und Dracula muss allein und geschwächt die Flucht nach Transsilvanien antreten.
Nach einer aufreibenden Verfolgungsjagd über Land und Meer stellt die Gruppe um van Helsing den Vampir vor seinem Schloss und kann ihn schwer verwunden.
Zunächst schützt die mit der Gruppe gereiste Mina ihren geliebten Prinzen vor den Angreifern. Gemeinsam ziehen sie sich in die alte Kapelle zurück, in der Dracula einst Gott abgeschworen hat.
In einer letzten Einstellung sieht sie ein Bild des wiedervereinten Liebespaars Dracul und Elisabeta. Die im Film erzählte Liebesgeschichte zwischen Dracula und Mina Harker die ihn im Buch eher verabscheut als liebt wird durch das Hinzufügen der Figur der Elisabeta erklärt und macht Dracula somit zu einer tragischen Figur.
Wohin ja hier gegen das Talent
Ich beglГјckwГјnsche, welche ausgezeichnete Antwort.
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